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Eugène Henri Paul Gauguin (7 June 1848 – 8 May 1903)

 Gauguin was a leading Post-Impressionist painter. His bold experimentation with colouring led directly to the Synthetist style of modern art while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style.  He paved the way to Primitivism and the return to the pastoral. He was also an influential exponent of wood engraving and woodcuts.

 Gauguin had been interested in art since his childhood. In his free time, he began painting. He often visited galleries frequently and purchased work by emerging artists. Gauguin formed a friendship with Camille Pissarro whom introduced him to various other artists. As he progressed in his art, Gauguin rented a studio, and showed paintings in Impressionist exhibitions.

Under the influence of folk art and Japanese prints, Gauguin evolved towards Cloisonnism, a style given its name by the critic Dujardin in response to Emile Bernard's enamelling technique. Gauguin was very appreciative of Bernard's art and of his daring with the employment of a style which suited Gauguin in his search to express the essence of the objects in his art.

In The Yellow Christ (1889), often cited as a quintessential Cloisonnist work, the image was reduced to areas of pure color separated by heavy black outlines. In such works Gauguin paid little attention to classical perspective and boldly eliminated subtle gradations of colour, thereby dispensing with the two most characteristic principles of post-Renaissance painting.

In 1903, due to a problem with the church and the government, he was then sentenced to three months in prison. He died of syphilis before he could start the prison sentence. His body had been weakened by alcohol.

Gauguin died on May 8, 1903 and is buried in Calvary Cemetery .


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